rain in my heart update markrain in my heart update mark

And it is also a good example to discuss the ethical issues in the documentary. When researching the film I found a web page (which is a old BBC one). With a limited number of options given that he had great difficulty finding a location and subjects to film it was essential that Watson was able to capture the gritty reality of alcoholism and addiction in a way that will haunt the audience for some time. Maybe the subjects are letting Watson film them like this as a message to say this is a life you dont want to live and in saying that does Watsons exploiting of the subjects send a bigger message that in turn may help people going through the same things. He would stop filming if the interview got too personal, if the subject would ask to stop the interview or refuse to go on even further, and he even questioned the subject the following day as to whether she was happy with him including the footage he had captured. I personally believe that the word exploit is quite a harsh word to put on the filmmaker without full justification, its made clear that the subjects wanted to be filmed, Watson treats this permission with a good amount of respect both for the subjects and the topic of the documentary whilst at the same time sustaining his role as the stand back and sympathetic-ear presence. Watson himself, in a cut away shot and voiceover reveals to the audience that in that moment he lost his ability to be able to detatch himself from a situation. If he had interfered then he could have been potentially saving lives. Throughout the documentary there are cut ins of Watson discussing ethical implications during the filming process. Thus, having the camera in front of them made me feel that there was a sense of pressure on them to fulfil a certain image of an alcoholic. However, Watsons humanity and compassion shines through. I felt as if Watson was genuine in the fact that he did care, he wanted to see the subjects overcome their problems, in a scene where he is at Vandas house, he stands with her and says although he cant stop Vanda from drinking, he doesnt want to see her do it. However, I felt in this case it was too much exploitation of Nigel, Claire and his family, who were probably not in the right mental state of mind to decide whether the sequences of their personal, heartbreaking moments should be filmed. This sort of fly-on-the-wall documentaries and even reality tv shows have created are becoming more accepting of intruding on other peoples most intimate and private moments. Considering this film brings light to the mental conditions that tend to lead to alcoholism, then was Paul Watson in the right place to accept the consent from these people? Rain in my heart is very clinical in its approach to a very tough subject matter, as if Watsons approach matches that of the grief caused by alcoholism for his subjects. In addition, how is one to really define what constitutes as being exploitative? He leads the interviewees go into their deep heart and gradually express their ideas. This powerful documentary from fly-on-the-wall pioneer Paul Watson follows four alcohol abusers over the course of a year. Paul Watson has a lot to answer for (The Family probably started the reality trend) but Rain in my Heart made up for a lot. Or when Nigel downs a glass of red wine. About the same age as Vanda, Kath has spent more than a decade caring for an alcoholic. However, what I think strongly outweighs this are the positive effects of the film in terms of education. such as askingcan we enter the subjects house? The subjects are very vulnerable and Watson knew this, therefore ethical issues due to the interference of reality from Watson. Obliging by the rules of observational filmmaking, Watson, on the whole, assumes a fly-on-the-wall position and captures the destruction as it unfolds. /Users/abgsaniya/Desktop/hqdefault.jpg. However, it doesnt justify the ignore her drinking even he had a chance to stop her. The way sounds from different moments would melt into each other reminded me of the background cacaphony of hospitals, with distant melodies of monisters, doctors and patients fusing. When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. The consent was given while the participants were fully aware of what they were agreeing to, which makes it difficult to accuse Paul Watson of having really exploited his subjects. Although he felt a great need to capture this real footage, it was only when he almost invaded the subjects personal space (their homes) knowing they would be under the influence of alcoholic beverages, did they begin to open up emotionally and share extremely personal experiences. The intrusion before we learn of sexual abuse is fitting because it prepares us for the horrible, rather than let the scene with Vanda play out suddenly for shock value. Maybe it could be argued that editing was used too much in this film as it told you how to feel at certain points. If there was any moment in the film where you could perceive Watson as exploiting them it would be when he interviews and observes them whilst or after theyve been drinking heavily, of course Watson cannot control what comes out of their mouth, he does have control over what to show to the audience, however showing these moments to the audience ensures that Watson has observed in full, the effects of alcohol and his points of its destructiveness comes across. Change), You are commenting using your Twitter account. However, it doesnt necessaily mean it is totally a bad thing. I felt as if he cared for her wellbeing. Now, with Rain in my Heart, Watson has made the documentary equivalent to The Lost Weekend(1945), the classic feature film about alcoholism, where a writer loses everything through drinking and ends up on a psychiatric ward. The person who created this page shares thoughts of sympathy for Tonis family (who died during filming) and Vandas family who consequently died after filming. I found a video called, Revisiting Rain in My Heart, in which Paul Watson revisits the surviving subjects from the film. (2006). From a personal level I felt it was very moving and eye opening to me on this subject. I do feel that in a way Paul Watson has exploited all of his subjects in this film. Sign-in or Try it free for 3 months. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. I think that the mutual awareness of the situation between subject and filmmaker, despite the subjects inebriation, helps to prove that it is not exploitative. By the time she married at 18 she was a serious drinker - the marriage didn't last, nor did a succession of jobs despite her being able to speak at least two other languages. Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. He would ask the interviewees why theyve relapsed or if they feel disappointed with their failed progress, but depending on the reaction to these questions, Watson would take a step back if he sensed it was in anyway emotionally challenging, until the subject would take control and continue/stop themselves. He is good at capturing facial expressions and touching moments, though he constantly replays repeated footage to create a moment. It cant be argued that the documentary would have given Watson some amount of attention from viewers for filming subjects in the vulnerable state they were in, its in this sense that the word exploitation would be more appropriate. At the same time, I do think Paul Watson exploited his subjects. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. The editing in this documentary played a huge part in how the audience saw and formed views about the subjects that Paul Watson was filming. The problem suddenly doesnt become the alcohol, but their mental state, which is something I learnt from the film. I would not have the heavens fair, Twenty-nine when he appeared in Rain in my Heart, Mark was living on his own in an untidy flat that closely reflected his own state. As he sits and tells the audience his own personal views, this for me, made him seem more human. Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. Is it really more important that showing the dangerous of alcoholism by peoples moment who dying even ignore their life? Log in, Top Life Threatening Health Issues of Alcohol Abuse, Most Common Health Issues of Alcohol Abuse, Mental Instability Caused by Alcohol Abuse, Alcoholics Anonymous | May 11 | DonInLondon | Step 5 Share Your Truth, Fionulla F. AA Speaker Alcoholics Anonymous Speaker, . The subjects and the families were happy to be filmed and it was unlikely that the film was going to bring more harm than good it was important that he looked at the whole picture and the awareness he could spread with such a film. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. For I'm just a fool Who clings to his pride But when I'm alone I can hear The sound of rain In my heart Of the tears that I hide And it tears me apart 'Cause I keep them inside I can't get away From the sound of the rain In my heart How could I know, my love I was a toy Only a game to you? Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. He witnessed some horrific scenes throughout filming and only once (that I can recall) did he step in to hand Mark a sick bucket and express disappointment to Venda for her choosing to buy a bottle of vodka. This is distressing viewing, so bear that in mind if you plan to watch it but I thought it was also great reminder to keep on doing what i'm doing and staying off the booze. Therefore, maybe his techniques did actually work quite well, although flawed and subjective in places. This I feel undermines what his role as a filmmaker is as it shows his intentions for the direction of this documentary. This is also made clear later in the film when he spends some time filming at one of the female patients, Vandas house. Explaining hell it is. Because the participants in the film are always in a very fragile state because of their problems, it makes the audience question can they actually give valid consent? On the other hand, he showed the subjects at their worst, but almost continuously. Mr. Stark was okay, although he still had scars from the snap. It is also true that sometimes the person who was interviewed didnt feel very comfortable about what he or she was saying and probably wasnt aware at all of what it was being said. Chapter 1. Personally, I would much rather watch Robert Winstons documentary series on the human body which ended with the filming of a mans death, from cancer, than go Watsons questionable film techniques. 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